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Oseman’s creative vision bleeds through the Heartstopper series in every beat of its heart through Lyn’s expertise in the field of filmmaking. As far-fetched as it sounds, Nick may be even more relatable than Charlie in that he experiences uncertainty and doubt throughout his journey as a closeted bisexual. Connor portrays that apprehension and bewilderment in such a rich, authentic manner and after so much bisexual erasure in recent years, the community will be applauding him most of all. Needless to say, Locke embodies Charlie he channels that frightened and silenced teenager with such believability that it blurs the line between fiction and reality. However, the most fulfilling part of all is that Nick’s bisexuality isn’t regarded as a pit stop on the way to Gay Town. Instead, bisexuality is given its own definition and its own spotlight, as it should.
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On the subject of sexuality, let’s discuss representation. Heartstopper explores the lives of Nick and Charlie, but also Charlie’s friends Tao, Elle, Isaac, Tara and Darcy. In the series, Elle is a transgender woman, but that detail is never explicitly mentioned, which is what Heartstopper does so well: subtlety.Īnyone familiar with Oseman’s work will already know that Elle (played by Yasmine Finney) is transgender, but the fact that Heartstopper treats it as such a common occurrence - and with such normalcy - is refreshing. There’s never a moment where Elle comes out and says it, but everyone knows it and treats her with as much respect (for the most part, besides a few transphobes) as any other person, which is representative of a society that integrates transgender people without needing to advertise their existence. Next, we have Tara and Darcy, two lesbians whose relationship suffers from the dreaded “platonic BFF” syndrome.